An interview with VIPER

NF: You mean like, publically traded stock?

V: Publically traded, yes, I’m going on the pink sheets. I should be trading by late March or early June. The goal is just to get the concept out there. FreeMovers.Com, basically what we do is we are a full service real estate company, I am a real estate broker licensed in Texas. Basicallly, whenever you move from one place to another, if you let us, your realty company, move you, we will give a free or discounted move as part of the service. And that’s why I am gonna kill ‘em across the board. Because when they see a house that says “Free Movers Realty” in front of it, they see they are saving 2000 dollars by letting us move them for free, instead of letting another realty do it, like Remax or Century 21 do it.

            That’s why I am going public, so I can really get it out there, nationwide, and do it like that. That’s my one company. I’ve got two other companies also. I’ve got a products company called “National Products Wholesome.” We deal all sorts of products, nationwide, to all sorts of entities, private and public. I also have the “National Services Corporation” where we deal in services across the board. So these three companies I’m taking public man, and the amount of money I’m gonna see from these businesses will dwarf this rap money. But I’m just doing everything to show that business is all combined man, it all works together.

 

NF: So once these three businesses get off the ground, how are you gonna balance that with making a song every day, and how have you balanced that in the past?

V: In the past it was pretty easy to make a song a day because it only takes me 15-20 minutes to make a song. And now, as a CEO, time is kind of opening up for me. Now, I’m getting royalty checks from rap money, nonstop every day while I sleep, I’m getting paid. Same thing with the real estate business. I got people that work for me, so I don’t have to do any of that. So really, I have more time to work on music than I did before. Now, when the point comes when I do go public, there’s gonna be some time, I gotta make some executive orders and discussions and meetings. That’s when the time will probably be a lot less. But I’m still gonna try to stick to that commitment, and depending on what I’m trying to do, the focus is still gonna be there for rap music, but I’ll just have more finances, to really put myself out there.

 

 

 

 

 

NF: Well, that quite frankly sounds awesome. Going back to YCDESC, why did you choose to use the word “You’ll” in the title? 

V: “You’ll”…

 

NF: Cuz I think that one of the reasons that people passed that album around was because they were expecting it to be “Ya’ll cowards.” On the cover, though, you have it spelled “You’ll.” Was tha
t an artistic choice?

V: Oh yeah, because the other “Ya’ll” would’ve been spelled with an “A”.

 

NF: Yeah.

V: Yeah that was an artistic choice, I’m glad you caught that, not too many people do. Yeah man, it was just an attempt to say, “I’m not really trying to talk to a group of people, I’m trying to talk to the individual,” you know? Even though they are collectively apart of that group, I’m really talking to the individual.

 

NF: I was looking through your discography, and I was listening to Cloud Grinna, and the track “The Next Thang I New” sounds eerily similar to the track “Flawless” off another one of your albums from 2014, Yo Main Luv Handcuffin Me. Is that a remix? What’s up with that?

V: Yeah, I did some changes in the song, and the key is, I’m trying to get the listener to really listen to the different music because you are gonna get some songs that are similar but not identical. And so if you really listen to em, there’s gonna be something in the song that’s been changed. It’s gonna be something there that’s gonna flip your mind, you’re gonna be like “Oh Snap!” It’s kind of like reading the bible, man, every time you read it, you could’ve sworn that it said something totally different the last time you read it, and when you get back to the same part, it’s different. That’s how my music is. I’m making it to where it changes up. Every time you hear it, its gonna be something different.

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